1) 鐔 籠手に鞭図 銘 明珍大隅守紀野宗忠作
  Design of a gauntlet and whip by Myochin Osumi-no-kami ki no Munetada
   
寸法:縦75.5×横73.0×厚さ5.0 (mm)
端午の節句(5月5日)に、男子の健やかなる成長を願い鎧や兜を飾る風習は、社寺への武具の奉納
に由来する。鉄地に籠手や鞭を彫り込んだ図柄は、縁起よく好まれた。
明珍家は鎌倉期より繁栄した甲冑師の一派で、鐔製作にもその技量を発揮した。
江戸時代後期。保存鑑定書付。

The custom which decorates an armor and helmet on every May 5th (Boy’s Festival) is for hoping
children will grow up with courage and wisdom.
Design of gauntlet and whip were carved and depicted by Myochin Munetada.
Myochin School thrived as an armor maker, and also made a Tsuba with their fine technique of
handling iron. Hozon certificate paper. 19c.


2)目貫 弓矢図(無銘)
Menuki, design of bow and arrows, unsigned
NEW
寸法:左) 縦12.5×横54.0 (mm) 右) 縦12.0×横53.0 (mm)
弓矢は戦闘での実用性に優れた一方、様々な儀礼や祭事に用いられた。細部まで丁寧に彫り込み、
金色絵で上品に仕上げている。江戸時代後期。

Bow and arrows is so useful in the battle, on the other hand, was used of the various
rituals and festivals. The details are carved by fine workmanship and the colored
technique increases its decorativeness. 19c.

3)鐔 屋島合戦透図 銘 江州彦根住光義作
Tsuba, design of battle scene of Yashima in Genpei War by Mitsuyoshi

NEW
寸法:縦 72.0×横67.0×厚さ4.5 (mm) 
京都を逃れ讃岐国屋島に本拠を構えた平家を源義経が打ち破った屋島の合戦(1185年)。
舟に乗る平家と馬上の源氏が闘う臨場感を、儚さと共に見事に活写した人気画題。
金工師 光義は源平合戦図を得意とした「藻柄子宗典」門人。江戸時代中期。保存鑑定書付。

Famous battle scene of the Yashima (1185) that Minamoto Yoshitsune defeated Heike Clan.
Brave Samurai are depicted with the transiency by Mitsuyoshi, is a pupil of Mogarashi Soten
who is good at describing battle scene. Active at Hikone in Oomi, present Shiga Pref. 18c.
Hozon certificate paper.

4)鐔 橘文透図 後代肥後(無銘)
Tsuba, design of citrus by Higo School of the late generation

Sold
寸法:縦 72.0×横69.0×厚さ5.0 (mm)
日本固有のカンキツ類である橘は常緑であることから長寿を意味し、京都御所紫宸殿には吉祥の
象徴として植えられている。文武を重んじた細川家庇護のもと繁栄した肥後金工は、江戸時代より
人気が高い。江戸時代後期。保存鑑定書付。

Long-life symbol Tachibana (citrus) is planted at the Imperial Palace in Kyoto as auspicious
fruit.Federal lord of Kumamoto, Hosokawa Family who respect the both of the literary and
military arts,encourage making sword fittings, and their works has been valued since Edo
period. 19c. Hozon certificate paper.

5) 小柄 茗荷に白魚図 無銘 河野派
Design of a whitebait with Japanese ginger by Kono School.
寸法:縦15.0×横98.0 (mm) 
解説:四分一磨地に白魚を高彫りで彫り上げ、据紋象嵌で茗荷を配した面白い画題。
隅田川の白魚漁は江戸の風物の一つ。
徳川家康が大変好み、家康存命中は御止魚(おとめうお)と呼ばれ漁が規制され、献上品として珍重
された。
江戸時代後期。

Whitebait with Japanese ginger is depicted skillfully by a metal maker in Kono School. Fishing of
whitebait in the Sumida River is one of seasonable sceneries in Edo. Tokugawa Ieyasu
(the 1st shogun in Edo period) loves whitebait which was prized as an Offering, so its fishing is
regulated for a while. 19c. Hozon certificate.



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