1) 鐔 羅生門透図 越前(無銘) 
Design of a famous scene of the Noh song “Rasho-mon” by Echizen School (unsigned)

NEW
寸法:縦 80.0×横79.5×厚さ5.0 (mm)
鬼退治を題材にした謡曲「羅生門」に登場する渡辺綱(わたなべのつな)が羅城門の鬼と戦う
場面を描いた鉄鐔。越前国は記内や明珍一派などが活躍した鐔の名産地。江戸時代中期。
保存鑑定書付。

Famous scene of the Noh song “Rasho-mon”. Watanabe no Tsuna who was a Samurai in Heian period (10-11c.), exterminates the Oni (demon) at the Rasho-mon which is a south gate of Kyoto. Echizen is known as famous production area of Tsuba where the Kinai and Myochin school were active. 18c. Hozon certificate paper.

2)目貫 弓矢図(無銘)
Menuki, design of bow and arrows, unsigned
寸法:左) 縦12.5×横54.0 (mm) 右) 縦12.0×横53.0 (mm)
弓矢は戦闘での実用性に優れた一方、様々な儀礼や祭事に用いられた。細部まで丁寧に彫り込み、
金色絵で上品に仕上げている。江戸時代後期。

Bow and arrows is so useful in the battle, on the other hand, was used of the various
rituals and festivals. The details are carved by fine workmanship and the colored
technique increases its decorativeness. 19c.

3)鐔 屋島合戦透図 銘 江州彦根住光義作
Tsuba, design of battle scene of Yashima in Genpei War by Mitsuyoshi
寸法:縦 72.0×横67.0×厚さ4.5 (mm) 
京都を逃れ讃岐国屋島に本拠を構えた平家を源義経が打ち破った屋島の合戦(1185年)。
舟に乗る平家と馬上の源氏が闘う臨場感を、儚さと共に見事に活写した人気画題。
金工師 光義は源平合戦図を得意とした「藻柄子宗典」門人。江戸時代中期。保存鑑定書付。

Famous battle scene of the Yashima (1185) that Minamoto Yoshitsune defeated Heike Clan.
Brave Samurai are depicted with the transiency by Mitsuyoshi, is a pupil of Mogarashi Soten
who is good at describing battle scene. Active at Hikone in Oomi, present Shiga Pref. 18c.
Hozon certificate paper.

4) 小柄 茗荷に白魚図 無銘 河野派
Design of a whitebait with Japanese ginger by Kono School.
寸法:縦15.0×横98.0 (mm) 
解説:四分一磨地に白魚を高彫りで彫り上げ、据紋象嵌で茗荷を配した面白い画題。
隅田川の白魚漁は江戸の風物の一つ。
徳川家康が大変好み、家康存命中は御止魚(おとめうお)と呼ばれ漁が規制され、献上品として珍重
された。江戸時代後期。

Whitebait with Japanese ginger is depicted skillfully by a metal maker in Kono School. Fishing of
whitebait in the Sumida River is one of seasonable sceneries in Edo. Tokugawa Ieyasu
(the 1st shogun in Edo period) loves whitebait which was prized as an Offering, so its fishing is
regulated for a while. 19c. Hozon certificate.



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