1)左右雲板透秋草図 銘 正阿弥吉重
Design of autumn flowers by Shoami Yoshishige (signed)
NEW
寸法:縦78.0×横78.0×厚さ5.0 (mm)

咲き競う秋草を金布目象嵌で表裏に配した華やかな逸品。左右の櫃穴を雲板状に透かし
赤銅覆輪を施した洒落た仕上がりは、京で活躍した作者の高い技量が窺える。
江戸時代中期。 保存鑑定書付。

Many autumn flowers are represented with fine gold textile inlay technique on
the both side, is so gorgeous and can be enjoyed high skill of Shoami Yoshishige
in Kyoto. Circa 1700.With a Hozon certificate paper.


2)秋草図 京金工 (無銘)
Design of autumn flowers by Kyo-kinko School (unsigned)
NEW
寸法:左) 縦 11.5×横57.5 (mm) 右) 縦12.0×横57.0 (mm)

秋草を金地に鏨深く精巧に彫り込み、赤銅・銀・素銅色絵を施した
京都の金工師による上品な作。江戸時代。保存鑑定書付。

Autumn flowers colored by Shakudo (gold-copper alloy), silver and copper,
are engraved on the gold ground brilliantly by a metal worker of Kyoto. 17-18c.
With a Hozon certificate paper.

3)三輪図 銘 佐野直好(花押)
Design of Mt. Miwa, signed Sano Naoyoshi (Kao)
寸法:(縁) 縦38.5×横22.5×厚さ12.5 (mm) (頭) 縦35.0×横20.0×厚さ9.0 (mm)

杉の木に糸の図は 謡曲「三輪」の図柄。大和国の女のもとに、男が長年通っていた
。女は一緒に暮らしたいと男に伝えたが断られ、縁を切られてしまう。男の帰るとこを
知ろうと衣に糸を縫い行き先を辿ると、三輪山の神木に行き着いた。
男は三輪山の明神だった、という神話。
柳川直政、中村直矩の門人で、出羽国山形藩秋元家のお抱え工。江戸芝住。
江戸時代中期。
特別保存鑑定書。

Combination of a cedar tree and thread is a design of myth of Mt. Miwa in Nara,also a one of Noh songs.There was a man who had been visiting a woman every night. She asked the manto live together in the daytime as well. But he didn’t accept her wish and wouldnever visit her again. To know the place where he returns, she sewed a thread onhis cloths and traced him. What she found at the end was the scared tree of Mt.Miwa. He was the deity of the mountain. Sano Naoyoshi who is a pupil of Yanagawa Naomasa and Nakamura Naoyoshi,worked for Akimoto family in Yamagata clan. Tokubetsu certificate paper. 18c.

4) 秋草図 銘 良親造之
    Design of autumn flowers by Yoshichika
寸法:縦64.0×横56.5×厚さ5.0 (mm) 

菊や薄などの秋草を配し、秋の深まり味わえる本作は、表を赤銅地、裏を四分一地と、色彩の異なる金属を表裏に用いて陰陽を表した昼夜造りの技巧品。
良親の高い技量が発揮されている。江戸時代後期。保存鑑定書付。

Autumn flower such a chrysanthemum and pampas grass is depicted on Chuya (day and night)ground which is the different color metal on the front and back. And it represents the contrastof light and dark. This is showing high technique of the maker Yoshichika who was active in late Edo period,probably in Mito. 19c. Hozon certificate paper.


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