| 1) 縁頭 松林図 堀江派(無銘) Design of pine forest by Horie School |
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| 寸法：(縁) 縦38.0×横23.0×厚さ13.0 (mm) (頭) 縦34.0×横18.0×厚さ9.0 (mm) 金色絵の魚々子地に華やかさを演出し、縁起良い長寿の松林を赤銅で高彫りにし、コントラストを引き立たせた御目出度い図柄。浜野政随と大森英秀に学んだ「堀江興成」を祖とする堀江派は、阿波蜂須賀家お抱え工。保存鑑定書付。江戸時代後期。19c. This is an elegant art work by Horie School that a symbol of long life, pine forest is depicted in high carving on gold colored nanako ground. The founder of this school is Horie Okinari who is a pupil of the Hamano and Omori, and worked for powerful feudal lord in Awa (Tokushima Pref.) Hachisuka Family. 19c. Hozon certificate paper. |
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| 2) 鐔 正月飾り図 無銘 水戸 Design of traditional decorations for New Year celebration by Mito School |
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| 寸法：縦65.0×横60.0×厚さ5.5 (mm) 解説：注連縄、門松や蓬莱飾りなどの新年に欠かせぬ正月飾りを、四分一地に配した水戸金工による鐔。 新年の門出を祝うに相応しい画題。江戸時代後期。保存鑑定書付。 Traditional decorations for New Year celebration such a sacred straw festoon, entrance pine tree and food decoration, are depicting on Shibuichi (copper-silver alloy) ground made by Mito School. Hozon certificate paper. 19c. |
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| 3) 三番叟図 (無銘) Design of Sambaso, a program of traditional Nou playing NEW |
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| 寸法： 左) 縦21.0×横25.0 (mm) 右) 縦20.0×横27.0 (mm) 能「翁」で、三番目に出る老人の舞を三番叟(さんばそう)といい、五穀豊穣を願い、新年や婚礼祝賀の席で演じられる。 華やかな衣装の翁らを、描写細かく仕上げている。江戸時代後期。 Sambaso is an auspicious program of traditional Nou playing which has a meaning of wishing for bumper crops, and often performed in the New Year and cerebration events etc. Dancing old men wearing gorgeous costume are so fine details. 19c. |
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| 4) 小柄 若竹根曳松図 無銘 寿乗 Design of Nebiki-matsu by Goto Jujo (unsigned) |
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| 寸法：縦14.5×横96.0 (mm) 解説：根曳松とは、正月初めの子(ね)の日に、根ごと引き抜いた松で、門松に用いられる。 初春の情景を歌った同名の曲も江戸時代には作られた。後藤宗家12代目寿乗(1695-1742)の優品。 江戸時代中期。保存鑑定書付。 Nebiki-matsu is a pine tree with the root still attached, and it used for Kado-matsu which decorates at a housegate to welcome the deity in the New Year. There is also a song with music titled the same Nebiki-matsu which lyrics describe early spring scene. Goto Jujo (Mitsumasa) is the 12th mainline master of Goto School. Hozon certificate paper. 18c. |
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