| 1) 縁頭 松林図 堀江派(無銘) Design of pine forest by Horie School |
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| 寸法：(縁) 縦38.0×横23.0×厚さ13.0 (mm) (頭) 縦34.0×横18.0×厚さ9.0 (mm) 金色絵の魚々子地に華やかさを演出し、縁起良い長寿の松林を赤銅で高彫りにし、コントラストを引き立たせた御目出度い図柄。浜野政随と大森英秀に学んだ「堀江興成」を祖とする堀江派は、阿波蜂須賀家お抱え工。保存鑑定書付。江戸時代後期。19c. This is an elegant art work by Horie School that a symbol of long life, pine forest is depicted in high carving on gold colored nanako ground. The founder of this school is Horie Okinari who is a pupil of the Hamano and Omori, and worked for powerful feudal lord in Awa (Tokushima Pref.) Hachisuka Family. 19c. Hozon certificate paper. |
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| 2) 鐔 正月飾り図 無銘 水戸 Design of traditional decorations for New Year celebration by Mito School |
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| 寸法：縦65.0×横60.0×厚さ5.5 (mm) 解説：注連縄、門松や蓬莱飾りなどの新年に欠かせぬ正月飾りを、四分一地に配した水戸金工による鐔。 新年の門出を祝うに相応しい画題。江戸時代後期。保存鑑定書付。 Traditional decorations for New Year celebration such a sacred straw festoon, entrance pine tree and food decoration, are depicting on Shibuichi (copper-silver alloy) ground made by Mito School. Hozon certificate paper. 19c. |
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| 3) 三番叟図 (無銘) Design of Sambaso, a program of traditional Nou playing NEW |
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| 寸法： 左) 縦21.0×横25.0 (mm) 右) 縦20.0×横27.0 (mm) 能「翁」で、三番目に出る老人の舞を三番叟(さんばそう)といい、五穀豊穣を願い、新年や婚礼祝賀の席で演じられる。 華やかな衣装の翁らを、描写細かく仕上げている。江戸時代後期。 Sambaso is an auspicious program of traditional Nou playing which has a meaning of wishing for bumper crops, and often performed in the New Year and cerebration events etc. Dancing old men wearing gorgeous costume are so fine details. 19c. |
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| 4) 小柄 若竹根曳松図 無銘 寿乗 Design of Nebiki-matsu by Goto Jujo (unsigned) |
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| 寸法：縦14.5×横96.0 (mm) 解説：根曳松とは、正月初めの子(ね)の日に、根ごと引き抜いた松で、門松に用いられる。 初春の情景を歌った同名の曲も江戸時代には作られた。後藤宗家12代目寿乗(1695-1742)の優品。 江戸時代中期。保存鑑定書付。 Nebiki-matsu is a pine tree with the root still attached, and it used for Kado-matsu which decorates at a housegate to welcome the deity in the New Year. There is also a song with music titled the same Nebiki-matsu which lyrics describe early spring scene. Goto Jujo (Mitsumasa) is the 12th mainline master of Goto School. Hozon certificate paper. 18c. |
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| 5) 箙の梅透図 尾張(無銘) Design of plum with quiver by Owari School NEW |
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| 寸法：縦76.5×横76.0×厚さ5.0 (mm) 箙の漢字と梅花を透か彫りした源平合戦「生田の森」(1184年)の意匠。敵陣深く果敢に攻め込んだ源氏方の梶原景季(かげすえ)が箙に咲き匂う梅を指し奮戦した雄姿は武人の粋とされた。尾張鐔の特徴である良く鍛錬された地鉄、力強く仕立てた角耳に透かしが見事な優品。江戸時代初期の作と思われる。(箙‐えびら、矢を入れる箱) 保存鑑定書付。 Openwork of plum and Kanji of Ebira (quiver) related to the battle of Ikuta Forest in 1184, one of famous scene of Genpei War are depicted by Owari School. Kajiwara Kagesue fought bravely sticking a branch of plum in his Ebira, and his elegant battle figure with Samurai spirit was prized. It is showing a squared rim and powerful openwork on the well-forged iron that characterized Owari Tsuba which has been popular for a long time. With Hozon certificate paper. Circa 1600. |
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